Format
Tisha B’Av Courses meant to be compatible with traditional Tisha B’Av observance
Extended Format These courses extend into the adjacent workshop time, denture making them incompatible with workshop teaching or participation for that morning or afternoon.
Students
Suited for families (an indication, this not a rule)
Suited for teens (an indication, cheap not a rule)
No prerequisites
Previous text study helpful
Content
Arts and Literature
Arts and Movement
Advanced text study
Intermediate text study
Text study for everyone
Contemporary issues
History and culture
Spiritual and religious life
All courses
(sorted by teacher’s last name)
PM-02 – Enter the Temple: Discovering the Inner Sanctum
Elyssa Joy Auster
Out of destruction comes transformation and the opportunity for wholeness. Tisha B’Av commemorates the destruction of both Temples in Jerusalem, and other tragedies the Jewish people have experienced over centuries, yet it leaves the door open for something new. We will explore the joy and creativity that are released by breaking open through four paradigms: the Temple of the Body (Yoga), the Temple of Emotion (Meditation), the Temple of the Mind (Text Study), and the Temple of Beyond (Chanting).
Elyssa Joy Auster has served as the rabbi for a Conservative congregation in Florida and a Reform congregation in Alaska; she has brought inspiration to other congregations in Massachusetts, Illinois, Ohio, and Maryland. She has published in The Forward and in Jewish Philanthropy, is a trained mikveh guide, has led Hallel with Women of the Wall in Jerusalem, and has written and illustrated two children’s books. She a certified yoga teacher, and has been a teacher of contemplative Judaism in diverse venues.
PM-03 – Shmita! Designing a Year of Radical Cooperation, Economic Justice, and Ecological Sustainability
Laura Bellows
What can the Torah’s ancient Shmita practice teach us today? This Tisha B’Av begins the next High Holiday season and, with it, the once-every-seventh-year radical rest of the sabbatical cycle. Through collage, text motifs, and creative design, this timely course will explore contemporary perspectives on three of Shmita’s core practices: letting the land rest, forgiving debt, and resource sharing. Participants will use a collaborative art process and resources from The Shmita Project to develop a Havurahnik’s Guide to Shmita Practice for community use in 5775 / 2014-2015.
Laura Bellows is a life-long havurahnik and artist, and is now entering her third year of rabbinical school at Hebrew College in Boston. Most recently Laura served six years designing and directing experiential Jewish environmental education programs for communities across the country through the Teva Learning Alliance. She enjoys praying outdoors and playing at the intersection of ecology, Judaism and justice.
AM-02 – We Are What We Eat… and How We Eat: Food Justice in Halakhah and Aggadah
Aryeh Bernstein
In this course, we will study and discuss halakhic (legal) and aggadic (narrative and philosophical) texts addressing various questions of responsible and sustainable approaches to eating, such as: What attitudes are we called to bring forth when we eat animals and animal products? How do we distribute limited resources? Who owns water and who gets access to it? During the first session, on Tisha B’Av, we will look at images of starvation in the poetic literature of Eicha (Lamentations) and kinnot (elegies) and will consider fasting as an exercise in radical empathy with the experience of starvation.
Aryeh Bernstein, a Chicago native and Jerusalem resident, translates for the Koren-Steinsaltz English Talmud edition and is an Editor of Jewschool.com. He has studied at Columbia, JTS, YU, YCT, and Yeshivat Maale Gilboa, and taught at Yeshivat Hadar, Drisha, Yeshivat Talpiot, the Hartman High School, Camp Ramah in WI, and elsewhere. He has led High Holiday services at Kehilat Hadar for 11 years. And he released a hip-hop album, called A Roomful of Ottomans.
AM-01 – Towards a New Jewish Art!
Zoe Cohen
Jewish tradition prohibits making graven images. This prohibition may have prevented a full blossoming of Jewish art besides ritual objects and documents. But isn’t God present in every beautiful thing on the planet? What would it look like for us to go back and reclaim symbols and imagery for a new Jewish art? In this course, participants will develop a new Jewish iconography, based on our research into historical Jewish art, as well as reflection on what images and symbols communicate our current understanding of our own Jewishness.
Through discussion, visual brainstorming, self-reflection, and visual research, collaboratively we will create a large visual mixed media art piece portraying both historical and contemporary Jewish life and spirituality. The artwork will be on display for the community; each participant will be able to take home a section of the final product at the conclusion of the Institute.
Zoë Cohen has been teaching visual art to children and adults for almost 15 years. She encourages her students to make their own connections with the material and projects and takes inspiration from seeing her students’ minds unfold in the process. As a visual artist, Zoë works conceptually in a wide range of materials and modalities, creating drawings, sculptures, installations, and public participatory projects. She creates images and events that address contemporary concerns and issues, and resonate with the thousands of years of our cultural heritage.
PM-04 – Praying With Song: Hasidic Spiritual Melodies And Our Spiritual Selves
Robert Cohen
We’ll study Hasidic spiritual melodies (niggunim) in Hasidic philosophy and spiritual practice and explore how they — and contemporary, ‘quasi-Hasidic’ melodies — can enrich our own spiritual practice. We’ll learn melodies from various Hasidic traditions and sing some of them; learn and sing contemporary spiritual melodies; and perhaps touch on the tradition of borrowing melodies for prayer — experimenting, if we have time, with our own, new shidduchim (matches) of melody with traditional or original prayers.
Robert Cohen has produced and hosted over 100 Jewish radio programs, including “One People, Many Voices: American-Jewish Music Comes of Age” on NPR. He has pursued Graduate Education at JTS, where he created the first Jewish music curriculum, written on Jewish music for magazines and newspapers, edited all music (and Hasidic rebbe) articles for the YIVO Encyclopedia of Jews in Eastern Europe, and produced Open the Gates! New American-Jewish Music for Prayer (compilation CD).
AM-03 – Facing History: An Intergenerational Jewish Conversation
Shahar Decassares Colt
How do identities affect one’s perspective? How is honoring individual identity a matter of social justice? Generations after the Holocaust, questions about human nature, personal and group identity, behavior, bias and social boundaries resonate deeply today. We will use selections from Facing History and Ourselves curriculum, which explores the Holocaust and other historical moments as case studies in human behavior, to experience the relevance of these questions across age groups. Using traditional Jewish sources and contemporary case studies for comparison, we will take advantage of the NHC’s intergenerational community to listen to the wisdom of all ages and support each other in asking hard questions about how these themes play out in our lives today.
Shahar Colt, a third year rabbinical student at Hebrew College, has been attending the Institute for over ten years. She has taught middle and high school students from the Facing History and Ourselves Curriculum in Jewish and secular school contexts, as well as studying it as part of her Master’s in Education program. She recently founded the Teen Beit Midrash, a cross-community collaborative Jewish learning program for teens, and leads adult learning programs for a Boston area religious school.
AM-04 – Cracking the Sefer Barrier: Breaking into Four Primary Jewish Texts
Ellen Frankel
Jewish literacy has an extremely high barrier to entry. Classic texts are written in languages many readers don’t understand, and meanings are often hidden by lots of insider code.
This course will provide an introduction to four ancient classics in the Jewish library: the Hebrew Bible, the prayer book, the Talmud, and the Midrash. Each of them constitutes mini-libraries in their own right. We will begin by talking about how literary texts work, looking at genres, various methods of interpretation, assumptions brought to the text by readers, and the context of the Ancient Near East. We will look at selected texts in English, unriddle their secret codes, and learn how best to hear their ancient voices with modern ears.
After serving for many years as Editor-in-Chief of the Jewish Publication Society, Ellen now works as a freelance writer, librettist, editor, and community volunteer. She is the author of The Classic Tales, The Five Books of Miriam, and The JPS Illustrated Children’s Bible; as well as several librettos, including an opera, Slaying the Dragon, with composer Michael Ching. She has been coming to the Institute, off and on, since 1980.
PM-05 – Tisha B’Av Through the Midrash
Richard Friedman
Tisha B’Av is the first day of the Institute; on that day and the next three days, we’ll study midrashic texts that address the problems it raises — what caused the destruction of the Temple(s)? what was lost? how did that destruction affect the Jewish People? how do we respond to that destruction? and is there hope for the future? We will begin with the classic account in the Talmud of how the destruction was caused by an erroneously-delivered invitation; other texts will come from Midrash Rabba on the book of Eicha (Lamentations). Time permitting, we will finish with a text about the festive day Tu B’Av, which comes six days after Tisha B’Av.
Richard Friedman has taught text classes at several Institutes. He also teaches Talmud and Rashi’s Torah commentary at his shul. He studied at Pardes, and he is a lawyer with the federal government.
AM-05 – What did we Lose When we Lost the Temple?
Avi Garelick
The Temple is a central element of our learning and liturgy, not only on Tisha B’Av, but also at weddings and even at funerals. The echo of lament and yearning for this ruin can seem very strange, remote from both our experience and our values. In fact, the rabbis of the Talmud faced a similar disconnect. They were apparently fascinated with the Temple, devoting scrupulous attention to the details of its daily existence. In this class we too will attempt to make the Temple less remote. What did it feel like to be there? Was that feeling different on Erev Pesach compared to regular Tuesdays? What did it smell and sound like? While involving ourselves with in-depth study of the rabbinic Temple imagination, we will also try to determine why this utopian nostalgia was of such value to the rabbis, and what it can offer us today.
Avi Garelick teaches Oral Torah at Pre-Collegiate Learning Center of New Jersey and is an editor in chief at Hypocritereader.com, a monthly magazine of essays both conceptual and timely. He likes to teach in ways that provoke participation and to guide students into conversation with each other.
PM-06 – Darosh Darash: the Masoretic Journey
Sherry Israel
Pirke Avot reports that “Moshe received Torah from Sinai and passed it on….” How did this passing on happen? Sacred texts were believed to have been received directly as Divine words or under the influence of the holy spirit, so they had to be passed on correctly, with everything exactly right. But even the most careful scribes make errors, so an apparatus called the masorah was devised to insure the correct transmission of our sacred texts. In this class, we will examine the evidence for scribal errors (or improvements?), and study the origins and development of the masoretic database; we’ll encounter some materials that are familiar and others that are esoteric and fun to decode. Along the way we’ll explore our own understandings of our Text and its holiness, and experience the sacred tension between attention to details and attention to deep meaning.
Sherry Israel, a founding member of the Newton Center Minyan, is a past Chair of the NHC Board. She retired from teaching in the Hornstein Program at Brandeis University in 2007, and has since been trained for a new vocation as a spiritual director. She is a lover of Jewish texts, a cook and baker, a walker, a member of a local Jewish community chorus, and a friend, mother and grandmother; now she is trying to learn to do tai chi and to knit.
PM-07 – Sh’viti ‘Nachamu’: An Artful Journey from Mourning to Comfort
Jennifer Judelsohn
Judaism teaches that times of deep loss needn’t last forever and can lead to rebuilding and renewal. The period between Tisha b’Av and Shabbat Nachamu provides a metaphor and a map to express our individual stories of the journey from loss to wholeness, from mourning to healing, from despair to rejoicing. Traditional texts of Tisha b’Av and Shabbat Nachamu will inform us as we write our own personal narratives of our journeys. Using the form of a circle (mandala), we will draw the light of renewal from the darkness of loss. Through chevruta text study, discussion, journaling, meditation, and hands-on art-making, participants will explore the concepts of loss and renewal. By the end of the class, each of us will have created an illuminated manuscript reflecting our personal journey.
Jennifer Judelsohn is an artist, psychotherapist, and educator and author/illustrator of the book Songs of Creation: Meditations on the Sacred Hebrew Alphabet. Her artwork, including acrylic paintings, Prismacolor drawings, and Giclee prints, has been exhibited in numerous solo and group shows and is in private collections worldwide. Jennifer has presented workshops, seminars, and classes on Judaism, spirituality, and other topics at conferences nationally and internationally. She was an Artist-in-Residence at the 2013 NHC Summer Institute.
PM-01 – Modern Prophets in Action: Biblical Street Theater
Eli Kaplan-Wildmann
Prophets stood at the city gate and spoke about injustice and hypocrisy, destruction and hope. They often used theatrical tricks such as props or audience interaction. In this course we will explore theatrical storytelling and use our new skills to create modern interpretations of biblical prophecies: if you were standing at a modern city gate, such as an airport, what would you tell the world to fix? The class will be divided into groups; each will choose a prophecy and use it to make an exciting, colorful, relevant call to action that will be performed as street theater.
if you were standing at a modern city gate, such as an airport, what would you tell the world to fix?
Eli Kaplan-Wildmann is a designer based in Jerusalem. He has worked extensively on set design for television, theater and events, with projects for NBC, MTV, ESPN, George Tsypin, Beowulf Boritt and the Toy Fair, and various off-off-Broadway theaters. The experimental side of things is far more interesting – he designed puppetry for a show about mermaids that was performed on a barge; a Liz Swados musical about the Dominican Republic’s Jews; and more.
The NHC Summer Institute’s Poretsky Artists-in-Residence program was launched and has been supported for two decades by the Rita Poretsky Foundation. In appreciation of its importance to the Summer Institute and the importance of the arts in Jewish life, it will be sustained in 2014 and going forward as the Timbrel Artist-in-Residence program by the Timbrel Fund, through the generosity of Elaine Reuben.
PM-08 – Our Lives are in our Songs: Yiddish Voices Moving us Forward!
Susan Pearl Leviton
Using Yiddish song as a roadmap, we’ll travel through social justice activism, yearning for actual and abstract homelands, the world of women’s voices, the experiences of dreams and realities of America, and an examination of our culture through foodways. Shake off any images you have of dusty old chestnuts (the Yiddish ‘top ten’) and prepare to encounter songs of the aguna and domestic violence, developing class struggle among children and I. B. Singer’s magical literature as interpreted by his illustrators. Translations and archival images will be provided.
Susan Leviton’s joyful embrace of Yiddish arts is matched by her enthusiasm in sharing. As an interpreter of song, and one of few who are reviving women’s a cappella singing today, she dips into a treasure trove and weaves programs of unexpected beauty. Her naturally clear instrument and background in theatrical (Sign) interpreting brings story-telling magic to her teaching.
AM-06 – Methodologies in Midrash-Making: Poetry, Movement, Bibliodrama, and Theater of the Oppressed
Bronwen Emilia Mullen
The rabbis used various methodologies to generate midrashim from Biblical exegesis. Participants will continue in these traditions via different creative media. From rewriting verses and individual words to playing word-association with Hebrew roots, we will use bibliodrama to interpret medieval commentaries, poetry, and the spoken word. We will utilize the methods of Augusto Boal’s Theater of the Oppressed to explore ways in which the themes of questioning, struggling, and journeying reflect and make an imprint on the challenges of our world and our times.
Bronwen Mullin is a playwright, composer, educator and rabbinical student at the Jewish Theological Seminary of America. She earned her B.A. at Sarah Lawrence College (2006) in Theater and Religious Studies and was Arts Fellow 2008-2011 in Musical Theater Composition at the Drisha Institute for Jewish Education. Bronwen is the co-founder of MetaPhys-Ed, a gymnasium for the multi-media exegesis of Jewish texts with performance artist/director Jesse Freedman.
AM-07 – Jewish Spiritual Direction
Sharon Pearl
Jewish Spiritual Direction has a rich history and is referenced in Pirke Avot 1:6, which states, “Make for yourself a teacher and acquire for yourself a friend.” Our sages suggest that this “friend” is one who serves as a spiritual guide. Viewing your joys and struggles from a spiritual perspective is incredibly empowering. In this class you will experience Jewish Spiritual Direction, a contemplative practice that will support your connection and understanding of the Holy in your everyday activities and in the extraordinary events of your life. You will have opportunities for deep listening to spiritual narratives, both your own and those of other participants, for the purpose of understanding, exploring and deepening God’s role in your life.
Sharon K. Pearl provides individual and group spiritual direction. A veteran teacher of adult education at area synagogues, Jewish service organizations, Sharon is a lay leader at P’nai Or Philadelphia. Sharon leads enriching workshops that support participants’ spiritual growth. She is an ordained Mashpiah Ruchanit (Spiritual Director), having studied in a three year mentorship with Sandra B. Cohen, DSW, and is a member of Spiritual Directors International. This is her first Institute.
AM-08 – The Constant Prayer of the Soul: Rav Kook’s Ecstatic Vision of Prayer
Louis A. Rieser
Rabbi Abraham Isaac Kook articulated an expansive and poetic vision of prayer. He describes prayer as a dynamic force that flows from heaven and acts through the soul in order to affect the cosmos. We will study and discuss passages from his prayerbook commentary, Olat R’ayah, on the purpose and action of prayer. Rav Kook’s notions of prayer will serve as background to a discussion of our own experience of and desires in prayer.
Writer and teacher, Louis Rieser, is the author of The Hillel Narratives. His writings are found in a variety of journals, as well as online in the blog, NuViewTalmud, and on the website, Jewish Values Online. Louis regularly teaches at synagogues and in the Melton Program in Palm Beach County, among other venues. He is the Rabbi Emeritus of Etz Hayim Synagogue in Derry, NH and is married to Connie Rieser, a nutritionist in private practice.
PM-09 – How Much Christianity is There in the Talmud?
Micha’el Rosenberg
The Babylonian Talmud has shaped Jewish life for over a thousand years, but it’s easy to forget–or never to have considered–that the Talmud was produced by a Jewish community living in multicultural Iran, where Jews, Zoroastrians, Christians, and a host of other religious groups lived side by side. In this course, we will look at talmudic passages that have striking parallels to texts written by Christians in the surrounding area; they wrote in Syriac, a language very similar to talmudic Aramaic. These will help us make sense of passages in the Talmud that otherwise would be impossible to understand, and will show both the competition with and the allure of Christianity for the Babylonian Jews who shaped the future of Judaism. What does it mean that there’s so much Christianity in the quintessential Jewish text?
Micha’el Rosenberg is assistant professor of rabbinics at Hebrew College in Boston. Formerly the rabbi of the Fort Washington Jewish Center in the Washington Heights section of New York, he has taught at JTS, and the Northwoods Kollel and Beit Midrash of Ramah Wisconsin.
AM-09 – Three Legs or One Foot: Rebalancing Our Jewish Communities
Regina Sandler-Phillips
We are taught that the world stands on a tripod of study, worship, and caring actions. When our communities run on the two legs of study and worship, the third leg of caring is often shortened. Yet the third leg is the only one that can support us “on one foot.” This week, as we stop to mourn our brokenness, we’ll seek the comfort of a new equilibrium that integrates kindness and justice. We’ll explore familiar junctures in the regular rhythms of learning and prayer that can be leveraged as “caring points” to build more balanced and inclusive communities.
Rabbi Regina Sandler-Phillips created WAYS OF PEACE Community Resources in Brooklyn, NY, so that she could do more while standing on one foot. Her work has been featured in The New York Times, The Jewish Daily Forward, Tablet Magazine, and elsewhere. On two legs, Regina enjoys long walks, dancing, singing and birding, with gratitude for her mobility while it lasts. She co-coordinates electronic caring notifications to help keep the NHC balanced throughout the year.
AM-10 – Who are the Jews? Contemporary Sociology of American Jews
Talya Weisbard Shalem
This course will dive into the vast world of current surveys of American Jews, from Pew to the National Jewish Population Surveys. We will contextualize these studies by looking at the broader world of current American religious trends. We will compare quantitative and qualitative types of analyses, examining an in-depth analysis of individual Jewish journeys by Bethamie Horowitz. We will look closely at data on intermarriage and children’s upbringing, using studies from InterfaithFamily.com and the Jewish Outreach Institute.
We will explore how definitions of who is a Jew, and the choice of which survey questions to ask, can massively shape outcomes and conclusions. At the end of this course, you will know how to read handwringing articles in the Jewish press with a hermeneutic of suspicion, and you will be well-informed for engaging in contemporary debates about the future of the community and where to best direct energy and funding.
Talya grew up attending the Institute with the rest of the Weisbards. She is a Reconstructionist Rabbi and active member of Havurat Shalom in Somerville. She has taught at several prior Institutes including in Kids Camp, is a former NHC Board member, and serves on the Fellows Committee. Her day job for the past four years has been with the US Census Bureau, where she currently supervises employees collecting data for many important surveys, including the American Community Survey, and the monthly unemployment statistics (CPS). Her bachelor’s degree from Harvard is in Anthropology, and she has always loved interviewing people, crunching numbers, and drawing conclusions.
PM-10 – Embodied Teshuvah: A Journey from Brokenness to Wholeness
Josh Schreiber Shalem
Teshuvah can begin not at Rosh Hashanah or even at the first of Elul, but at Tisha B’Av, when the walls we build to shield ourselves from our own fragility collapse like the walls of Jerusalem. What follows is a period not always of rebuilding, but of confronting what is actually there behind those walls; perhaps one can learn to live with one’s self and one’s God with honesty and vulnerability. Through the Awareness Through Movement® developed by the Israeli physicist and Judo master Moshe Feldenkrais, we will follow this path through the experience of our body, learning to attend to, accept, and transform the feelings of brokenness and inadequacy we carry within us. This class is open to anyone with a body; no prior movement experience or ability is necessary. Mats will be provided.
Josh is an active member of Havurat Shalom in Somerville, MA, a certified teacher of the Feldenkrais Method® of Somatic Education, and a performing musician. He loves combining all these interests in the experience of Jewish prayer both privately and as a shaliach tzibur.
PM-11 – Preparing to Do Teshuvah
Darius D. Sivin
This class will explore Rambam’s Laws of Teshuvah, a classic Jewish text, and Rabbi Alan Lew’s This is Real and You are Completely Unprepared, a modern work, influenced by Buddhism, about the spiritual practice of Teshuvah. Through chevruta study and class discussion, each student will develop a personal Teshuvah plan based on class materials and life experience.
Darius D. Sivin, PhD is an occupational health and safety professional with the United Auto Workers. Much of his work involves teaching health and safety to adults. His family belongs to Fabrangen Cheder where he led the adult discussion seminar for several years. He has studed at the NHC Institute and at the Jewish Study Center in Washington DC. He has developed his own spiritual practice of Teshuvah based on the works he will be presenting.
AM-11 – Yitgadal v’Yitkadash: Jewish Rituals of Grief and Mourning from Aninut (Mourning) to Yahrzeit (Annual Remembrance)
David Stearman
The journey from the intense mourning of Tisha B’Av to the comfort of Shabbat Nachamu reminds us not only of the Jewish people’s communal loss of the Temple, but also of our own personal experiences of loss. In times of loss, particularly the deaths of loved ones, each of us goes through a process of grief, mourning, and, ultimately, healing.
We will explore how the Jewish rituals of mourning track or reflect Kubler-Ross’ stages of grief—and how they differ. Some of these rituals are derived from Halakha (mitzvot); others are traditions (minhag). Some we observe strictly; others we put our own spin on. We will look at these rituals through text study and sharing of personal experiences, whether as mourner or comforter, and across variations in observance. Together, we will seek both a better understanding of these rituals and a greater appreciation for how they support us.
David Stearman grew up in a Conservative Jewish home and had a traditional Bar Mitzvah. Since then he has gone through periods of atheism and total non-observance, dabbled in Reform Judaism, learned to keep kosher, and encountered Orthodox and Chasidic Judaism. In the past year he has lost both parents, so he has been embedded deeply and personally in the Jewish rituals of mourning. Although he remains unaffiliated, he davens and says Kaddish for his parents at the local Chabad.
PM-13 – Plugta: Sects and Schisms in Jewish History
Max Weinryb
Bitter controversy among Jews is not new and still with us. A look at selected divisions from different historical periods through Hebrew and Aramaic texts of the times. Examples will include sects in the second temple period , Karaites vs. Rabbanites, Maimonides vs. his critics, and Hasidim vs. Misnagdim (and Maskilim). Controversies in today’s Jewish world are often characterized by each side’s perception that the other is jeopardizing everything important. We’ll see similar perceptions in the past, and consider how past conflicts look now.
Max Weinryb has been a participant, leader, and teacher in SF Bay Area havurot. He has taught Hebrew, Talmud, and Rabbinic texts in havurot and congregations as well as NHC summer institutes and regional retreats. He is a computer consultant and urban homesteader in Berkeley.
AM-12 – Text and Interpretation: A Series of Journeys through Time
Aryeh Wineman
A tradition cannot be grasped simply by reading its sacred text, and certainly Jewish tradition requires, along with the Torah-text, serious understanding of the ongoing interpretation, which often transforms and gives new life to the text itself. That process of interpretation is an exciting story, often a process of highly creative, even radical, understanding of the literal text itself. We will examine, each day, a different kind of textual passage(s) from the Torah along with some representative and sometimes startling re-readings of the same passage. We will look at passages concerning law and society, cultic practices, the creation of light, and revelation.
Aryeh Wineman has taught at several Havurah Institutes over the years, as well as having taught at an Israeli youth-village and later at SUNY-Albany, and having served as a congregational rabbi. He has written various studies in the areas of Hebrew literature and Jewish mysticism, including The Hasidic Parable: An Anthology with Commentary and Ethical Tales from the Kabbalah.
AM-13 – Rebuilding through Song: Making the Zemirot our Own
Jonathan D. Zimet
The Zemirot are our people’s folk music, expressing the themes of our tradition and Jewish experience. They rest on allusions and inside secrets, which we will unlock and explore. We will also look at the authors’ social circumstances that resemble those of our contemporary folk artists, examine the ways we can embrace these poems even if we do not agree with all their themes (such as rebuilding the Temple), sample the wide variety of melodies, and discuss how these songs can enhance our Shabbat meals and bring people together.
After avocationally doing diverse celebrations and programs and leading a community Jewish chorus, lawyer Jonathan Zimet received ordination from the Academy for Jewish Religion. He offers programs especially in zemirot, Shir Hashirim, and nusach for lay people, and is currently writing an English commentary, “Zemirot are for Everyone: An Invitation to the Shabbat meal and the songs that adorn it.”